These elaborate events took place in abandoned urban ruins where attendees had escaped the collapse of civilization and retreated to a conclave of fellow refugees. Cacophony hosted three Atomic Cafes – one in a sealed bunker at the Golden Gate Bridge, one in the huge basement of an abandoned Federal Government warehouse filled in part with prosthetic limbs, and the final and grandest one in a colossal abandoned tooth paste factory.
The Zone Trip concept was pioneered by Ethyl Ketone when she discovered that fellow Cacophonist Phil Bewley grew up a few blocks away from her childhood home in the prototypical nondescript LA suburb West Covina. They (of course) decided they must do an event. Her fascination with the Tarkovsky movie Stalker and the weird locale called “The Zone” that serves as the central metaphor and place of action (inaction, really) for the film set the idea in motion. The Zone was a place where anything could happen, the laws of physics did not always apply and where people often were last seen. Any Cacophony road trip could be (and often was) a Zone Trip.
The only criteria was for all participants to mentally prepare for the trip to another place as they would were they going to another planet. The first time Burning Man appeared in the Black Rock Desert in 1990, it was as a part of the “Cacophony Society Zone Trip #4: Bad Day At Black Rock.” Carries idea was mirrored a few years later by Hakim Bey’s T.A.Z. Temporary Autonomous Zone and together with William Binzens “Desert Site Works” events, provided much of the philosophy behind the emerging Burning Man Culture throughout the succeeding years.
Stewart and Michelle Mangrum created the entertaining zine “Twisted Times”. Full of wit and lore it often documented the adventures of the Cacophony Society.
The Suicide Club was the organization that Cacophony morphed out of some years after the Clubs demise in 1982. Begun in February 1977 and growing out of former S.F. State University “free school” Communiversity (that went rouge breaking free of institutional restrictions and forming a non-profit school) Communiversity birthed the Suicide Club as a “class” in it’s Winter 1977 calendar of free classes. The Suicide Club became known for bridge climbing and other urban infra-structure exploration, Infiltrating cults like the Moonies, street theater (naked cable car stunt, etc.) and live action games on city streets among other types of events.
Harrod Blank – art car artist, and celebrated photographer and documentarian of the Art Car Movement shared many of his photos for the book. Here are a few selections from the NYC Santa trip, bridge climbing, art cars, and the elsewhere.
The history of the most influential underground cabal you’ve never heard of